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<Article>
<Journal>
				<PublisherName></PublisherName>
				<JournalTitle>Sociological Review</JournalTitle>
				<Issn>1010-2809</Issn>
				<Volume>21</Volume>
				<Issue>2</Issue>
				<PubDate PubStatus="epublish">
					<Year>2014</Year>
					<Month>11</Month>
					<Day>22</Day>
				</PubDate>
			</Journal>
<ArticleTitle>A DISCOURSE SEMIOTIC APPROACH TO “A SEPARATION”</ArticleTitle>
<VernacularTitle>A DISCOURSE SEMIOTIC APPROACH TO “A SEPARATION”</VernacularTitle>
			<FirstPage>43</FirstPage>
			<LastPage>72</LastPage>
			<ELocationID EIdType="pii">56305</ELocationID>
			
<ELocationID EIdType="doi">10.22059/jsr.2014.56305</ELocationID>
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Seyed Aliasghar</FirstName>
					<LastName>Soltani</LastName>
<Affiliation></Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
			<History>
				<PubDate PubStatus="received">
					<Year>2014</Year>
					<Month>05</Month>
					<Day>05</Day>
				</PubDate>
			</History>
		<Abstract>While many researches have been carried out on Farhadi&#039;s A Separation, still major questions remain unanswered. Which discourses does the film represent and how are they related to dominant discourses of Iranian society? Resorting to Laclau and Mouffe&#039;s discourse theory, the present study offers a three- stage framework for answering the above questions. The results show that A Separation depicts four micro-discourses, i.e. Islamic, Iranian, Western, and official, as well as two macro-discourses, modernity and tradition. The opposition between these two discourses is the reason behind many conflicts visible in Iranian films.</Abstract>
			<OtherAbstract Language="FA">While many researches have been carried out on Farhadi&#039;s A Separation, still major questions remain unanswered. Which discourses does the film represent and how are they related to dominant discourses of Iranian society? Resorting to Laclau and Mouffe&#039;s discourse theory, the present study offers a three- stage framework for answering the above questions. The results show that A Separation depicts four micro-discourses, i.e. Islamic, Iranian, Western, and official, as well as two macro-discourses, modernity and tradition. The opposition between these two discourses is the reason behind many conflicts visible in Iranian films.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">A Separation</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Discourse theory</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Iranian society</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Modernity</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Tradition</Param>
			</Object>
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<ArchiveCopySource DocType="pdf">https://jsr.ut.ac.ir/article_56305_9d069aaf7b32d8ad972170186f44fd05.pdf</ArchiveCopySource>
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